| A New Brain - vocal score | William Finn | 346 | | original | pdf | | | |
| A Year with Frog and Toad - piano conductor score | Rob and Willie Reale | 216 | | original | pdf | + | + | + |
| Alphabet City Song Cycle | Georgia Stitt and Marcy Heisler | 62 | | original | pdf | + | + | + |
| Alto's Lament (song) | Zina Goldrich and Marcy Heisler | 9 | | original | pdf | + | + | |
| Bare (piano/vocal selections) | ??? | 261 | | original | pdf | | | |
| Birds of Paradise (piano/conductor score) | Winnie Holzman | 195 | | original | pdf | + | + | |
| Blue Hair | Joe Iconis | 8 | | original | pdf | + | + | + |
| Bounce | Stephen Sondheim | 350 | | original | pdf | + | + | |
| Buffy the Musical | Joss Whedon | 116 | | transcription | pdf | + | + | |
| Caroline or Change | Jeanine Tesori and Tony Kushner | 321 | | original | pdf | | | |
| Ces Soirees La (song) | Jersey Boys | 6 | | original | pdf | + | + | + |
| Come Down from the Tree (song) - cut from Once on this Island | Flaherty and Ahrens | 6 | | original | pdf | + | + | |
| Debbie Does Dallas the musical (chords and melody) | ??? | 44 | | easy | pdf | + | | + |
| Do Black Patent Leather Shoes Really Reflect Up? (piano conducto | James Quinn and Alaric Jans | 274 | | original | pdf | + | + | + |
| Dr. Doolittle (vocal score) | Leslie Bricusse | 179 | | original | pdf | + | + | |
| Dracula (vocal score) | Frank Wildhorn | 255 | | original | pdf | + | + | + |
| Elegies for Angels, Puks and Raging Queens (piano/vocal score) | Janet Hood and Bill Russell | 73 | | original | pdf | + | + | + |
| Evil Dead | several people | 118 | | original | pdf | + | + | + |
| Floyd Collins (vocal score) | Adam Guettel and Tina Landau | 280 | | original | pdf | + | + | |
| If You Hadn't But You Did | Jule Styne | 5 | | original | pdf | + | + | + |
| Legally Blonde - Broadway (Piano/vocal score) | Laurence O'Keefe and Nell Benjamin | 326 | | original | pdf | + | + | |
| Lestat | Elton John and Bernie Taupin | 213 | | original | pdf | + | + | + |
| Martha Stewart the Musical (song) | Rick Crom | 20 | | transcription | pdf | + | + | + |
| Nicholas Nickleby (piano/vocal selections) | Stephen Oliver | 50 | | original | pdf | + | + | |
| Nicholas Nickleby (piano/vocal selections) | Stephen Oliver | 50 | | original | pdf | + | + | |
| Nobody Messes with Liza (song) | Rick Crom | 9 | | transcription | pdf | + | + | + |
| One Acts | Michael LaChiusa | 192 | | original | pdf | + | + | + |
| Parade (piano.conductor score) | Jason Robert Brown | 363 | | original | pdf | + | + | |
| Perfect (song) cut from High Fidelity | Tom Kitt and Amanda Green | 10 | | transcription | pdf | | | |
| Requiem | Andrew Lloyd Webber | 74 | | original | pdf | + | | |
| Romance, Romance (piano/conductor score) | Barry Harman and Keith Herrman | 285 | | original | pdf | + | | |
| Ruthless | Joel Paley and Marvin Laird | 201 | | original | pdf | + | + | + |
| See What I Wanna See (piano/vocal score) | Michael John LaChiusa | 196 | | original | pdf | + | + | |
| Songs for a New World (piano vocal score) | Jason Robert Brown | 232 | | original | pdf | + | + | |
| Spring Awakening (piano/conductor score) | Steven Sater and Duncan Sheik | 187 | | original | pdf | + | + | |
| Starmania (French language) | Luc Plamondon and Michel Berger | 71 | | original | pdf | + | + | |
| Steel Pier | Joh Kander and Fred Ebb | 148 | | original | pdf | + | + | |
| Sugar | Bob Merril and Jule Styne | 186 | | original | pdf | + | + | |
| The Drowsy Chaperone (full score) | Lambert and Morrison | 176 | | original | pdf | | | |
| The Girl In 14G | Jeanine Tesori and Dick Scanlan | 11 | | original | pdf | + | + | + |
| The Wild Party | Michael John LaChiusa | 346 | | original | pdf | + | + | |
| What it Means to be a Friend (song) from 13 | Jason Robert Brown | 7 | | original | pdf | + | + | + |
| Wicked (piano/vocal score) | Stephen Schwartz | 279 | | original | pdf | + | + | |
| Xanadu (broadway) | The Electric Light Orchestra | 131 | | original | pdf | + | + | + |
| Zombie Prom | Dana P. Rowe and John Dempsey | 283 | | original | pdf | + | + | + |