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- Last login: 1 week ago
- Number of sheets: 189
- Number of requests: 0
Trade policy
For Big Band conductor scores or 50-or-more pages books, I would prefer to trade.
For single songs, and just-a-few-pages-PDFs, just ask me ^___^
Recently added sheets
| title | artist | pages | info | sheet | file | lyrics | chords | guitar | |
|---|---|---|---|---|---|---|---|---|---|
| !Big Band - Let the Good Times Roll | Ray Charles | 50 | G major - Conductor Score and Individual Scores for Voice, 5 Saxophones, 4 Trumpets, 4 Trombones, Piano and/or Guitar, Bass, Drums - Ray Charles version | transcription | + | + | |||
| Let the Good Times Roll | Ray Charles | 50 | G major - Conductor Score and Individual Scores for Voice, 5 Saxophones, 4 Trumpets, 4 Trombones, Piano and/or Guitar, Bass, Drums - Ray Charles version | transcription | + | + | |||
| !Big Band - I Left my Heart in San Francisco | Thad Jones | 50 | F major - Conductor Score and Individual Scores for Voice, 5 Saxophones, 4 Trumpets, 4 Trombones, Guitar, Bass, Drums - arr. Thad Jones | transcription | + | + | |||
| I Left my Heart in San Francisco | Thad Jones | 50 | F major - Conductor Score and Individual Scores for Voice, 5 Saxophones, 4 Trumpets, 4 Trombones, Guitar, Bass, Drums - arr. Thad Jones | transcription | + | + | |||
| !Big Band - Almost Like Being in Love | Natalie Cole | 53 | F/Gb major - Conductor Score and Individual Scores for Voice, 5 Saxophones, 4 Trumpets, 4 Trombones, Piano, Bass, Drums - arr. Bill Holman | transcription | + | + | |||
| Almost Like Being in Love | Natalie Cole | 53 | F/Gb major - Conductor Score and Individual Scores for Voice, 5 Saxophones, 4 Trumpets, 4 Trombones, Piano, Bass, Drums - arr. Bill Holman | transcription | + | + | |||
| Evolutionary Voicings, Part II - Applying the Barry Harris Metho | Howard Rees | 4 | Well done magazine article taken from "Keyboard Magazine" (November 1998) about Barry Harris' Jazz Harmony. Rich of practical examples about applying Barry Harris method to tunes. --- "Last month we introduced you to jazz pianist Barry Harris's approach to developing a chord voicing style based on two unique hybrid scales: the major 6 diminished scale and the minor 6 diminished scale..." | original | + | ||||
| Evolutionary Voicings, Part I - Barry Harris keeps things movin' | Howard Rees | 10 | Well done magazine article taken from "Keyboard Magazine" (October 1998) about Barry Harris' Jazz Harmony. Rich of practical examples. --- "I don't play chords", said saxophone giant Coleman Hawkins, "I play movements." Perhaps inspired by this notion, jazz pianist Barry Harris has developed a framework for moving chord voicings along scales in much the same way that one might think of developing single-note improvisations from scale practice... | original | + | ||||
| Diminished Dimensions - Jazz article | Howard Rees - Ernie Rideout | 5 | Looking for a way to master Jazz Diminished Scales and Harmonies? Take a look to this well-done magazine article taken from "Keyboard Magazine", April 2004 issue. Rich of practical examples. --- "As creative improvisers, we’re thought of as being very free with our approach to music. But a lot of us end up practicing patterns an awful lot, particularly where diminished scales and harmonies are concerned. Not that this is bad; it’s a beneficial and necessary step to take in the mastery of the keyboard..." | original | + | ||||
| Chord Explorations - Jazz article | Howard Rees | 8 | Looking for a way to master Jazz Chord voicings? Take a look to this well-done magazine article taken from "Keyboard Magazine", March 2001 issue. Rich of practical examples. --- "When you begin to see how one chord form can be applied to keys and contexts you may have overlooked, you can then work on multiple elements simultaneously. And the more you understand about the relationships among elements, the easier it is to apply them to create new sounds, voicings, compositions, and ways of soloing..." | original | + |
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