luigi boccherini
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| 1 | Minuet | 31 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| 2 | Menuet | 8 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| 3 | Minuet from Quintet in E | 1 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| 4 | Minuet and Trio | 1 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| 5 | Minuet | 1 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| 6 | Menuette | 0 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||
| 7 | Fac ut portem | 0 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||
| 8 | Menuett in A | 0 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||
| 9 | Minuet in G | 0 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||
| 10 | Minute waltz | 0 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||
Artist bio
Luigi Rodolfo Boccherini (1743–1805) was a classical-era composer and cellist from Italy.
Boccherini was born on 19th February 1743 in Lucca, Italy, to a musical family. His father, a cellist and double bass player, sent Luigi to study in Rome in 1757 and, after various concert tours, in 1769 his talents brought him to the Spanish court in Madrid, where he was employed by Don Luis, the younger brother of King Charles III. There he flourished under royal patronage, until one day when the King expressed his disapproval at a passage in a new trio, and ordered Boccherini to change it. Read more
Boccherini was born on 19th February 1743 in Lucca, Italy, to a musical family. His father, a cellist and double bass player, sent Luigi to study in Rome in 1757 and, after various concert tours, in 1769 his talents brought him to the Spanish court in Madrid, where he was employed by Don Luis, the younger brother of King Charles III. There he flourished under royal patronage, until one day when the King expressed his disapproval at a passage in a new trio, and ordered Boccherini to change it. Read more
The composer, no doubt irritated with this intrusion into his art, doubled the passage instead, leading to his immediate dismissal.
Among his patrons was the French consul Lucien Bonaparte, as well as King Friedrich Wilhelm II of Prussia, himself an amateur cellist, flutist, and avid supporter of the arts. Boccherini fell on hard times following the deaths of his Spanish patron, two wives, and two daughters, and he died in poverty on 28th May 1805, being survived by two sons.
He wrote a large amount of chamber music, including over a hundred string quintets for two violins, viola, and two cellos (a type which he pioneered, in contrast with the then common scoring for two violins, two violas, and one cello), nearly a hundred string quartets, and a number of string trios and sonatas (including at least nineteen for the cello), as well as a series of guitar quintets. His orchestral music includes around thirty symphonies and twelve virtuoso cello concertos.
Boccherini's style is characterized by the typical Rococo charm, lightness, and optimism, and exhibits much melodic and rhythmic invention, coupled with frequent influences from the guitar tradition of his adopted country, Spain.
Among his patrons was the French consul Lucien Bonaparte, as well as King Friedrich Wilhelm II of Prussia, himself an amateur cellist, flutist, and avid supporter of the arts. Boccherini fell on hard times following the deaths of his Spanish patron, two wives, and two daughters, and he died in poverty on 28th May 1805, being survived by two sons.
He wrote a large amount of chamber music, including over a hundred string quintets for two violins, viola, and two cellos (a type which he pioneered, in contrast with the then common scoring for two violins, two violas, and one cello), nearly a hundred string quartets, and a number of string trios and sonatas (including at least nineteen for the cello), as well as a series of guitar quintets. His orchestral music includes around thirty symphonies and twelve virtuoso cello concertos.
Boccherini's style is characterized by the typical Rococo charm, lightness, and optimism, and exhibits much melodic and rhythmic invention, coupled with frequent influences from the guitar tradition of his adopted country, Spain.